I really hope that every movie, and this one, can speak for itself. I don’t like to talk about movies too much, but it’s part of the job.
A serbian film full screenplay movie#
We are talking in really basic movie language.īy titling it “A Serbian Film,” you’re clearly making an effort for the audience to seek meaning. I really thing that everyone, especially Americans, can really relate to this film. I really hope this film speaks in universal movie language, much closer to Western audiences than to our audience here in Eastern Europe. Of course, I’m not happy about some of the cuts made in some territories, but as I said, I wanted to do a film that I thought is the best one for the moment and the story. In the end, the film is present in theaters and in festivals. We had of course lots of problems during the post-production and finding theaters and distributors. So I could not allow myself to think about the audience that would say bad things about the film. When you’re making a film from your gut, the most important thing in that moment is the film itself. I really did everything that I thought was best for the film. I never wanted to make compromises in order to hammer things home. But during making this film and preparing it, I never wanted to think about consequence. You must have known that many would just take the film at face value, as another torture-porn film. How so? It’s likely your average North American horror fan probably won’t see the cultural implications you’re trying to explore. I’m talking about Serbia, about Serbian problems.
You will find the living hell down there. If you scratch the perfect surface of society in today’s world, you will of course find bad things down there. It’s all about expressing some recessed emotions about our region and the world also.
The last few decades of war have left a political and social nightmare here in Serbia. It also looks like pornography it’s about power, influence and all of those things. In Serbia, the biggest stars on television are politicians. But it was inevitable, because in Serbia a big part of our lives is about politics. I didn’t want to express my political choices. Of course, there is a kind of political and social level to the film, but I didn’t want to make any kind of political statement. The main character in the film could be a singer, a manager or a baker he would end up the same - rape and killed. The major metaphorical take was to treat real life as pornography.
We just wanted to express our deepest and honest feelings towards our region and also the world in general - a world that is sugarcoated in political correctness, but also very rotten under that façade - with a movie style we liked.Ĭan you elaborate a bit more on the metaphorical aspects of the film, with respects to its blunt commentary on Serbian politics and history? What lead you and your co-writer Aleksandar Radivojevic to dream this tale up? We placed a call to Serbia to speak with Spasojevic, who elaborates on the blunt politics behind the film and takes on his detractors. That’s why it’s our DVD/Blu-ray pick of the week. But unlike the “Saw” and “Human Centipede” franchises that merely revel in creative ways to disgust, “A Serbian Film” is unarguably the product of a man with something to say and the skill to say it. Spasojevic spares no punches in bringing to the screen his story of a unemployed porn star who agrees to participate in a mysterious ‘art film,’ only to discover he’s signed on to star in a snuff film involving child rape.
The film is everything you feared and more. The director of the Sitges Film Festival of Catalonia even came under fire from the city of Barcelona for simply screening the film in its lineup.Įveryone’s overreacting, right? Nope. Since premiering on the festival circuit last year, it’s enraged and provoked for its gruesome depiction of rape, child sodomy, murder and necrophilia. If there’s one film that rivals the controversy surrounding “The Human Centipede II: Full Sequence,” it’s “A Serbian Film” by first-time director Srdjan Spasojevic.
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